It’s like memories or colors, textures sometimes, a sense of light. As a director I need to see images, ghosts. When developing Run Boy Run, did the project start out as a collection of visual ideas or musical ideas? We spoke to Yoann about combining filmmaking with musicianship and flipping between the two. His latest video, Run Boy Run, was created for one of his own songs and the resulting synthesis of sound and vision is both epically impressive and deeply personal. And it turns out that, as a musician, he has pretty much the same effect on our ears. Don’t we just love Yoann Lemoine? For some time now he’s been a director who has regularly caught our eyes with glints of genius and flashes of beauty.
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